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Another Doxa in the Thought - 【52週挑戰#52】15/03/2025(電影《波米叔叔的前世今生》影評) | Penana
Another Doxa in the Thought
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Another Doxa in the Thought
Another Doxa in the Thought
ISSUE #103
【52週挑戰#52】15/03/2025(電影《波米叔叔的前世今生》影評)
No Plagiarism!ORr1v0MOOZuin3GJxPPHposted on PENANA 《波米叔叔的前世今生》絕非易懂之作,從政治議題到鄉野奇譚,範圍涵蓋極廣、符號涵義多重。無關境界高低,它就是所謂『開悟』的電影。251Please respect copyright.PENANAv7eQAf9tmu
8964 copyright protection247PENANAaPuwbnQsO7 維尼
片中一開始就以禪宗的《十牛圖》為例,自我(牧人)找到了自性(牛),旋即觀眾就融入了電影,銀幕與視網膜變成劇情與記憶交匯之處,我們變成了在幽暗戲院(叢林)中熠熠閃爍的眼睛。故事開始:這是佛滅度後的電影史。251Please respect copyright.PENANAooxwr5j3qR
8964 copyright protection247PENANAyAr3r7Aaiq 維尼
鑽入洞穴宛如步進戲院,月光成了投射儀器,揭露了這一切:現在、過去、未來一同俱在,佛(波米)入涅槃後,人欲橫行,坐在五顏六色的餐廳聽著搖滾樂、或在蒼白的房間內望著電視,電影/生活就那麼誕生了——這是自我與自性的聚合與分離,而結局又分離了,自我旋即沾染塵世,即著色聲香味觸法,那Acrophobia(懼高的靈魂)大聲唱著,等待我們下次在影廳中的聚合。251Please respect copyright.PENANADuZxqcZQ0g
8964 copyright protection247PENANAW6wPbXnx9n 維尼
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